By Radha Naresh
160 pages, Rs 1339.87
Writing
for scientific journals is Dr Uthaya Kumar's regular bailiwick. Still his first
foray into short story writing has resulted in an eminently readable treasure.
Ticket
to the Moon, a collection of short stories is that maiden effort. Episodes in
the stories are not all fiction. They are inspired by Uthaya Kumar's own life
and times in a remote little village in India where he once lived, and the
people he once knew intimately. He has since migrated to America, and through
these stories he has recreated the larger than life personalities who
profoundly influenced and moulded him in in his growing years and to whom he
continued to be drawn inexorably.
The
author assumes the role of the village vet as the narrator of the stories. The
vet in any village has a vital role to play in the wellbeing of livestock which
is the precious asset of each homestead. Here in the village of Muvirundali, he
also doubles as family physician, thereby making him privy to their most
intimate secrets, which form the fabric of the stories.
As
each story unfolds you get the sense of the extraordinary lives of these
deceptively simple folk From the rural canvas emerge a protagonist for each
story; the vegetable vendor, the child born into wealth, the forlorn widow, the
brave wife of a soldier, the new bride and her borrowed jewellery, or the
beggar with a mysterious past who can give Boo of To Kill a mockingbird a run
for his money. Each story revolves around one such individual and their secret
stories can warm the cockles of your heart.
The
anonymity that one enjoys in cities is not present in villages. Nobody is a
stranger to anyone else and anything that needs attention in one family is the
concern of the rest of the village. There is the barber whose duty it is to
play MC at funerals. The postman not only delivers letters but also reads them
aloud to the recipient and writes out the replies as well. There is Natarajan,
the man for all seasons. A Good
Samaritan and a guardian angel, he surfaces whenever there is a serious problem
to be solved.
The
characters are ordinary people whom we come across, whose simple faith, quiet
courage and fortitude, and unswerving devotion to their principles is not only
endearing but worthy of praise.
A humble vegetable seller in Debt, clings on to her life for three
years braving old age and illness, determined to repay a debt of forty rupees
and forty paise.”I would rather die of hunger than have a debt on (sic) my
life” she says, a day before she has finally paid her dues and bid adieu to
life.
The Necklace is
about the new bride in the village and how her integrity is put to the test
when accused of stealing a necklace.
Legends of
Veeran
describes a heroic act of supreme sacrifice. Heir is the story of a person tormented with questions of his
parentage.
The March is
about the triumph of a woman who sends her husband to the warfront and waits
stoically for his return..
Silence is
paradoxically about the constant and loud repetitive jabbering by Murmurer who
is an embarrassment to the village. However, it is Murmurer the seeming village
idiot who saves them from being struck down by lightning and when illness
threatens to silence Murmurer forever, the whole village rises as one to pay
for his treatment.
Untouchability
harks back to the days when this pernicious social system was practised and
about one villager who bravely decided to defy the rules nobody dare challenge
or violate.
My
personal favourite story is The Postman’s
Dilemma which amply describes the plight of postmen who have to bear bad
tidings in a telegram. There are some interesting twists in the tale which is
about a girl whose horoscope is supposed to have caused her own father’s death
just one week after she is born.
The Gooseberry tree
captures the pangs of separation that parents feel when their young ones leave
the nest to seek better fortunes in foreign lands, as well as the distress of
such children who cannot visit their parents at will.
All
the stories end on a happy note. Woven into each story are nuggets of wisdom
and amusing tidbits about customs, rituals, superstitions, deeply entrenched
values, attitudes and practices. You also get to relive the celebratory mood of
a newly independent nation and get glimpses of those heady times and to sense
the impact of man’s stupendous leap into the future resulting from America’s
Moon walk.
With
the progress of each narrative, you are treated to a lot of interesting village trivia. In Debt, there is mention of
the ‘good death’ that comes from having lived a fulfilled life. The village
barber taking charge as master of ceremonies at the funeral, placing of a coin
on the forehead of the departed person who rides to his grave in a sitting
position and never taking leave when departing from a funeral home.
In
Santhosam’s riddles and Untouchability, the child of the town gets to
experience the immeasurable fun to be had in watching birds or laying traps to
catch them, listening to tales of the intrepid, riding a bull to cross a fjord,
playing gilli in the wild open fields and coming home to a refreshing potful of
millet gruel with a dab of pickle to go with it.
In
the end, you realise that this is no second hand NRI experience. The good vet
has not only tended to ailing animals, but also listened to many a human heart
and checked many a human pulse.
-----
Radha Naresh is a traveller who spent time in Switzerland. She has chosen to settle in Coimbatore, Tamilnadu, India. She is now a book reviewer.
Radha Naresh is a traveller who spent time in Switzerland. She has chosen to settle in Coimbatore, Tamilnadu, India. She is now a book reviewer.
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